Sculpting Sound Since 2013

I’m a mixing and mastering engineer with over 10 years of experience, working across extreme metal, rock, and pop. My journey started in 2013, recording my own bands and local artists from my bedroom. I briefly studied audio at SAE Milan but soon realised that a self-taught, hands-on approach gave me more freedom and depth. I’ve never looked back.

I’ve always been more interested in being behind the scenes than on stage: capturing sound, refining it, and helping artists bring their vision to life. That’s what drives me. Every mix I work on is treated with care, precision, and respect for what makes it unique. I don’t use commercial samples or generic presets. Instead, I rely on my own library built over years of sessions, plus real amps, cabs, and carefully sculpted tones that fit each project perfectly.

My setup is fully hybrid, based on a Pro Tools HDX system with 32 channels of Avid conversion and a chain of premium outboard gear including SSL, Heritage Audio, API, Elysia, and more. Monitoring is handled through Amphion One18s and a Crane Song Avocet IIA. Everything is fully remote-ready. I can stream sessions live, work closely with you in real-time, and collaborate from anywhere in the world.

Over the years I’ve worked with bands and labels worldwide, including Metal Blade Records, Seek and Strike, and Unique Leader. But what I enjoy most is finding the true sonic identity of each artist I work with, making sure they don’t just sound great, but sound like themselves.